In the seventeen months since going freelance again I have been out with my folio quite a few times. Until now thathas meant taking my laptop with a slide show pre-loaded but the last couple of times I used this technique the people who were looking at my pictures wanted to see something more and something that gave them a break from staring at pixels on a screen. I asked quite a few fellow photographers what they were doing and got quite a few different answers. I have been to a few photographic equipmnt shows in the last couple of years and have always been tempted by the photo books on show from people like Asuka, Blurb and Photobooks and so I decided to go down that route for my new folio.

 
Screen grab of the software interface showing the front and back covers of my new folio book

When Apple first released their photo books through iPhoto I had ordered a couple. They were good, but they weren't great. I could see that the technology was going to develop and it wasn't long before wedding photographers were producing breathtaking albums using photo book printers. Some of the designs were a bit kitsch and some of the effects were over-the-top but the concept was spot-on and I started to make notes about who was doing the best work and who had Mac compatible software to do it on.

Blurb caught my eye straight away and a colleague of mine had a black and white book done by Asuka in the USA. Both were good and both could be done on a Mac. Time passed and I was still comparing prices and looking at examples at shows and then we decided to do a book for the family with pictures of our great Christmas together in Scotland. I chose Blurb for the book because I liked their software and because their colour seemed to be pretty faithful. The book was a hit and I started to put my folio together to be printed by Blurb.

Completely by chance a new price list arrived from Loxley Colour of Glasgow who have long been the exhibition printer used by The BPPA and all of the work they have done for me has been excellent. They have been offering books and albums for as long as anyone and decided to give their software a try. I liked it straight away and I liked the fact that they do a 12"x12" (30cmx30cm) hard-backed book and so I started to put the folio into their software. Their system clearly shows trim markers and approximates what will be lost in the valley or gutter on a double page spread and adding text is a very simple task.

Two days later I had created a 64 page folio book with 58 pictures all captioned, proof-read by my wife and myself and I uploaded it to Loxleys. At this point I have to say that having a cable internet connection with very good upload speeds really helps but it still took nearly three hours.

 
Spread with four business portraits. Note the hard gutter in the middle
Double page spread with single feature/news image again showing where the gutter loses part of the picture

Four days later, the book arrived. I opened it with great reverence and looked at what I had done. The reproduction is first class and the quality of the book is too. I will do a few things differently next time including using a smaller typeface for the captions and having fewer images going over the gutter.

Looking back, the second hardest thing to do was to decide on the order of the pictures. By far the hardest was choosing the cover.

The cover. What a tough decision. It's like choosing between your children, like saying to all of the others "I like your brother/sister more than you". Of course the actual decision should be about which works best. Which child is the cleverest, which picture fits the cover format more successfully. The picture that I ended up choosing is the oldest picture in the book and it is a black & white rendition of an original colour transparency sot all the way back in 1994. Poetically, it was the last job that I shot as a freelancer before taking a staff job at the end of January 1994. The client that I shot for commissioned everything in colour and then shifted pictures to mono only if they were going on a mono page.

The picture is a portrait of Conservative Member of Parliament (and then Secretary of State for Wales) John Redwood being interviewed by a reporter. The "unusual" hand gesture which falls on the back cover of my new folio was just the minister counting out his plan of action on an issue of the day and not giving me the finger. It's always been a popular picture and putting the oldest child on the cover feels right!

 
 

 

 
Links: Subscribe to newsletter
  Back to blog home page
  My Portfolio
  Email Me
  New Technique pages
  Old Technique pages
  About Me
  In my camera bag
  The Strobist
  Jez Coulson's blog
  Photo This and That
  Drew Gardner - The Dark Art
  Zack Arias - one light
  The BPPA
   
   
   
   
   
Archive: July 2009
  June 2009
  May 2009
  April 2009
  March 2009
  February 2009
  January 2009
  December 2008
   
   
   
   
   
   
   
   
   
   
   
   
   
This web site is ©Neil Turner 2008. All content is protected by copyright laws in the European Union and in the United States of America. For further details, contact the site owner . For details of policies including diversity and privacy please contact us.