Between January 2000 and June 2008 I posted a large number of technique examples taken from my daily work to show how I used light in an era where digital cameras were pretty poor at ISOs over 800 or even 400 in the case of the venerable Kodak DCS520. These days flash is a creative choice rather than a technical necessity but the techniques still stand up.

 
I have yet to meet a photographer who doesn't have an opinion about digital imaging.

Those opinions range so very widely too, today I met "I'd rather dig ditches than give up shooting film" man. I probably came accross to him as a"you must be some kind of dinosaur if you don't love pixels" person. The world is moving my way, but his methods are something that I will always respect and have wonderful memories of. What am I saying, I still shoot some transparency film now and again and I'm sure there is some colour neg stock rolling around in the car boot. Given the choice, though, its digital from now until the next thing.... you know....instant holography comes along.

On a discussion forum on another website I was really wounded by a post that suggested that I might have gone digital because I "...couldn't hack it as a real photographer...". I even resorted to flaming in my response, but was that because he was right? Well the answer is that my company made the decision that I should get DCS520s and not me, but the enthusiasm with which I embraced the new technology still surprises me to this day. An old colleague reminded me that I used to change my entire equipment and all of my favourite techniques yearly to avoid boredom. Thinking back this really was the case, I was always buying new lenses and trying new lighting or no lighting or whatever I fancied represented good news photography that particular month. Digital represented the biggest ever change in my working ways and gave me the largest injection of enthusiasm that I could have handled without overdosing on it. Two years on and I'm not bored, this must be the longest that I have ever lasted without major upheaval.

I've come to the conclusion that digital doesn't represent the dumbing down of the profession, far from it. Digital means creative freedom and a way of working that is extremely liberating. I think that a lot of old hacks could get their youth back if they just gave digital a chance.



 
Links: Subscribe to newsletter
  Back to blog home page
  My Portfolio
  Email Me
  New Technique pages
  Old Technique pages
  About Me
  In my camera bag
  The Strobist
  Jez Coulson's blog
  Photo This and That
  Drew Gardner - The Dark Art
  Zack Arias - one light
  The BPPA
   
   
   
   
   
Archive: July 2009
  June 2009
  May 2009
  April 2009
  March 2009
  February 2009
  January 2009
  December 2008
   
   
   
   
   
   
   
   
   
   
   
   
   
This web site is ©Neil Turner 2008. All content is protected by copyright laws in the European Union and in the United States of America. For further details, contact the site owner . For details of policies including diversity and privacy please contact us.